Even in this crazy world, I think we can all agree that one of the most important things in early childhood is developing a sense of steady beat. Music teachers have hundreds of ways to support this, but I’ve often
Playdough music center for early childhood classes
Fifteen years of teaching has taught me to be prepared. There will be days when you have no voice, or no energy, but you don’t want to waste that precious contact time. Alternatively, you will have days when you need
10 Tips for Using Learning Centers in Specialist Classes
I’ve been experimenting with learning stations, or centers, in my music classroom. I’m always intrigued when I walk into classrooms that are set up with exciting experiments, games, and other provocations for learning. But a long time passed between admiring
5 Great Circle Games from Around the World
As I wrote last week, I love to play singing games with my classes. Not only are they fun and catchy, but they offer a lot of teachable content. It’s up to you what you want to pull out, but
5 Great Circle Games for Your Music Class
Singing, games, and holding hands! I love playing circle games with my kids. And my kids love playing them. They love the catchy melodies, the movement, and the challenge: For some games, that’s the challenge of doing the right thing
Exploring Musical Expression using Carnival of the Animals
One of the most important concepts we teach is communication through music, or what we might call musical expression. Music, I emphasize to my students, is not just here to entertain you or fill the silence at the grocery store.
Don’t Teach
I’m trying to incorporate more singing games and play parties into my music lessons. They are a great way to teach not only singing, but beat, pattern, form, etc. They also develop social skills, like eye contact, holding hands, taking
Inquiry into Pitch
I’ve just started a sound exploration unit in Grade 2, focusing on pitch (and later, duration and dynamics). Last week was an introduction week, where the students tried singing from graphic notation. What began as the same up-and-down siren sound
Composing with Body Percussion
It’s a frustrating thing the day you realize that your Grade 4 students are still confusing beat and rhythm, and that they don’t read rhythms quite as well as you imagined they should. I dare say—and feel free to challenge
The Listening Walk, Part III: Following a Score
Now that the students had inquired into how they could make their observed environmental sounds into musical sounds (inspired by Paul Showers’ The Listening Walk; see my Part I and Part II posts), we took it a step further. We visualized the