It’s a frustrating thing the day you realize that your Grade 4 students are still confusing beat and rhythm, and that they don’t read rhythms quite as well as you imagined they should. I dare say—and feel free to challenge
Time to Invest in Post-Its
After a number of years in PYP, most teachers lose track of how many Post-Its they have used: in workshops, in meetings, and hopefully also in class. I used to roll my eyes when those little yellow packs would come
Encouraging Critical Thinking in Music Class, Part II
In Part I, I connected critical thinking skills to the Learner Profile and the PYP Transdisciplinary Skills. As a follow-up, here are some prompts—through the lens of the PYP Key Concepts—to get you started with your students. I’ve kept these
Encouraging Critical Thinking in Music Class, Part I
Critical thinking. This skill, highly valued by educators and continuously devalued by policymakers, is core to PYP or any other high quality education. The IB Mission Statement refers to an understanding that different people can be “right” in different ways.
Halloween listening (in any subject)
Yes, Halloween is very North American, but it seems that the tradition of costumes, candy, and spooky things is seeping into many other places as well. And if you want to weave a bit of Halloween fun into your lessons
Questions and Student Inquiry
Today I just want to share an article I read. I’m not a huge fan of Alfie Kohn in general, but I think what he has written about getting down to truly essential questions, and encouraging thoughtful questioning from students,
Getting started with (or checking in on) inquiry
When I first started working with PYP, I was beyond overwhelmed. I came with a lot of knowledge and ideas, and now I had to do everything a whole new way. I didn’t need convincing; obviously it was a great
Inquiry: Musical Cycles
Following a previous post, someone asked about our inquiry into cycles. The main inquiry point is that the layering and varying of simple musical patterns can create a complex sound, and that this cycling technique is used in several musical
The Listening Walk, Part III: Following a Score
Now that the students had inquired into how they could make their observed environmental sounds into musical sounds (inspired by Paul Showers’ The Listening Walk; see my Part I and Part II posts), we took it a step further. We visualized the
The Listening Walk, Part II: Making Sounds into Music
Following our inquiry into environmental sounds (inspired by Paul Showers’ The Listening Walk), we explored how that might translate into music. Sitting together as a class, a few students shared some of the sounds they had drawn/written in their journals,