I’ve just started a sound exploration unit in Grade 2, focusing on pitch (and later, duration and dynamics). Last week was an introduction week, where the students tried singing from graphic notation. What began as the same up-and-down siren sound
Now that the students had inquired into how they could make their observed environmental sounds into musical sounds (inspired by Paul Showers’ The Listening Walk; see my Part I and Part II posts), we took it a step further. We visualized the
My Kindergarten classes have been exploring sounds, and an unexpected discussion led us in an interesting direction: How do the sounds in our environment inspire us as musicians? Cue The Listening Walk by Paul Showers, illustrated by the fantastic Aliki.
I have studied under some amazing Solfège teachers and seen how wonderfully it can help students to audiate and connect with the music, so I try to incorporate it wherever possible, particularly in my early years classes. Today I am sharing
In Grade 2, I do a focus on the elements of music, reviewing many familiar terms (tempo, dynamics, pitch) and introducing new musical terminology as well. It’s the common PYP cycle of analysis and synthesis: We break the music down
Yes, I am a child of the eighties. I am also at a school with no dance in the curriculum, and I gather that many PYP music teachers are in similar situations. And whether or not there is a qualified
I took a new approach to introducing the elements of music this time around. Inspired by oh-so-many PYP workshops where we split up the reading and then taught each other, I split up the students into groups so that each